视频推荐
谎言屋 第五季
纵横案线 第三季
最后的岗哨
布莱克医生之谜 第五季
脱逃杀手
来日方长 第一季
穆迪一家 第一季
小男孩之死
救命下课铃 第一季
4 in Love
舱背车
幪面大侠(国语版)
恶魔稻草人
瑞恩·汉森破案秀 第一季
戏里戏外 第二季
缺宅男女粤语
有家真好 第一季
新飞越比佛利 第四季
赤裸羔羊2:性追缉令
戏里戏外 第三季
错位青春 第二季
我的医妃不好惹2
布莱克医生之谜 第四季
猎杀T34(国语版)
Cross.My.Mind
主厨的餐桌 第四季
一路绕行 第一季
杀手十三:阴谋(下部)
废柴特工(英语版)
旋风辣妹
为人父母 第二季
我的高中时代
生手
人选之人-造浪者
冰冻星球第二部
登陆日:猛犬连 D-Day
错爱谎言
三代同层
醉拳王无忌国语
大土炮之疯狂导演
单身毒妈 第六季
足球英杰
贱神三少爷
猫和老鼠喜剧秀
聊天区
刺客

沉寂之桥

类型: 剧情,爱情,剧情片
地区: 美国
年份: 1989
主演: Lee Remick,Marlee Matlin,Michael O'Keefe
导演: Karen Arthur

剧情介绍

Marg Duffield (Lee Remick) is the Maine wife of Al (Joseph Sommer) whose daughter Peg (Marlee Matlin) is deaf. Peg's husband is killed in a car accident on the way to visit the Maine house, and the Duffield's take in Peg's six year old daughter, Lisa, while Peg recovers. Since Lisa is a speaking child, Marg thinks of her the way she wanted Peg to be, and seeks guardian custody.  Remick's role is secondary to Matlin's, though she is presented as a tragic figure, particularly as Al refuses to help her plan to gain Lisa. Peg's deafness is said to be from a childhood case of spinal meningitis, and the teleplay by Louisa Burns-Bisogno, with story by Louisa and Tom Bisogno, reduces Remick to a textbook mother who is self-hating from guilt and therefore cannot love her own daughter. In a memorable scene, Peg angrily signs her exit to Marg, since Marg has refused to learn sign language, though Peg has learned to speak for her mother.  The treatment uses the Tennesee Williams play, The Glass Menagerie, for therapy, to help Peg overcome her grief and also Marg `lose her unicorn horn' and embrace her daughter. Whilst Peg choosing to act in this play may seem an odd choice for someone grieving, what is more noticable is that Matlin is far too more glamourous to be believable as Laura. The Bisogno's include Michael O'Keefe as Dan, Peg's deceased husband's best friend and director of Actors Theatre for the Deaf, to offer Peg a new romantic interest, and thankfully she rebukes his protestations of love. Although his opinion may be influenced by his `crush', Dan tells Peg that being different is better than being normal, since the normal ones are as `common as weeds'. This philosophy reads as rather Nietzschean, on the level of artists not being restricted to the common moral code.  Director Karen Arthur either has those signing also speaking or those signing being translated for the audience, though in one scene the sound of lapping waves drowns out the dialogue between Dan and Peg. She also gives Matlin some good moments, one being her scream of horror when she hears the news of the death of her husband, and another when she chases Remick down a flight of steps, hitting her.
热门推荐